| GREAT (II) |
| 16' |
|
Bourdon |
1-8 wood, 9-24 copper, rest metal |
| 8' |
|
Principal |
1-24 façade, tin |
| 8' |
|
Gedeckt |
1-12 copper, rest metal |
| 4' |
|
Octave |
tin |
| 4' |
|
Spillflöte |
spotted metal |
| 2' |
|
Super Octave |
tin |
| II |
|
Kornett |
tin |
| IV-V |
|
Mixture |
tin |
| III |
|
Cymbel |
tin |
| 16' |
|
Trompete |
spotted metal, 1-12 half length |
| 8' |
|
Trompete |
spotted metal |
| 4' |
|
Clarion |
spotted metal |
|
|
Tremulant |
|
|
|
Swell to Great |
|
|
|
Positiv to Great |
|
| |
|
|
|
|
SWELL (III)
|
| 8' |
|
Rohrflöte |
1-12 copper, rest spotted metal |
| 8' |
|
Viole de Gambe |
1-12 copper, some Haskell, rest spotted |
| 8' |
|
Viole Celeste |
FF, |
| 4' |
|
Principal |
tin |
| 4' |
|
Flute Ouverte |
spotted metal |
| 2-2/3' |
|
Nasard |
metal |
| 2' |
|
Blockflöte |
metal |
| 1-3/5' |
|
Tierce |
metal |
| IV-V |
|
Fourniture |
tin |
| 16' |
|
Basson |
spotted metal, all half length |
| 8' |
|
Hautbois |
zinc & spotted metal |
| 8' |
|
Vox Humana |
spotted metal |
|
|
Tremulant |
|
| |
|
|
|
|
POSITIV (I)
|
| 8' |
|
Flute Conique |
1-12 from Holzgedeckt, rest wood |
| 8' |
|
Holzgedeckt |
wood |
| 4' |
|
Principal |
tin |
| 4' |
|
Rohrflöte |
spotted metal |
| 2' |
|
Octave |
tin |
| 1-1/3' |
|
Larigot |
spotted metal |
| II |
|
Sesquialtera |
tin |
| IV-V |
|
Scharf |
tin |
| 8' |
|
Cromorne |
spotted metal |
|
|
Tremulant |
|
| 8' |
|
Trompette en Chamade |
flamed copper |
|
|
Swell to Positiv |
|
|
|
|
|
|
PEDAL
|
| 16' |
|
Principal |
1-10 façade, flamed copper |
| 8' |
|
Octave |
1-12 copper, rest tin |
| 4' |
|
Choralbass |
tin |
| 2' |
|
Hohlflöte |
spotted metal |
| V |
|
Mixture |
tin |
| 32' |
|
Kontra Fagott |
zinc & spotted metal, all half length |
| 16' |
|
Posaune |
zinc & spotted metal |
| 8' |
|
Trumpet |
spotted |
| |
|
|
|
|
|
Zimbelstern
Mechanical key action except for chamade
256 level combination action
|
The lint of ages, found under the keyboards when they were removed.
A view of John Panning and Brett Epperson cleaning reed pipes, as seen through one of the Great pipeshades.
John Streufert and more reed cleaning.
Erik Streufert and John Panning reinstall newly-cleaned chamade pipes.
The original slider motor controls had no strength adjustement, which caused the motors to be noisy. We installed new adjustable controls, the first of which is on the right.
Erik installs new slider motor controls for the Positiv.
Jim Streufert displays school spirit in the dust on the roof of the main case.
Great pipes before cleaning. This is the C group—all manual divisions are laid out in major thirds.
The mixtures and most of the reeds have been removed.
Only copper basses of the Bourdon 16' and Gedeckt 8' remain.
Pipes returned after cleaning.
The C side of the Positiv.
The Positiv division is supported on steel cantilevers. The C# side is a simple steel channel, but the C side has two channels welded together to make a square tube, which cleverly serves both as support and that division’s windline. This is the sealed end of it at the back of the main case.
The only real flaw in the organ is inadequate racking of some reed pipes. Several Pedal Posaune 16' resonators have fallen over.
Lower halves of some Posaune 16' resonators.
The crew: Erik Streufert (Luther ’13), John Panning, John Streufert, and Jim Streufert. To round out the Streufert clan, Erik’s brother (and Jim’s other son) Karl (Luther ’11) dropped by to take this photo. John Panning feels quite outnumbered.
